What is "Truth"?

Daniel Dennett likes to give Jaynes the benefit of the doubt: “There were a lot of really good ideas lurking among the completely wild junk.”

As Dennett hints (with typical subtly), there is a lot of "junk philosophy" around the subjects dear to Jaynes' heart. In this post, I'd like to extract one of Jayne's ideas and wipe a bit of "junk" off it to see where it gets me.

At the center of Jayne's theory is the "bicameral mind", which is firmly based on the idea that we have a "right brain" and a "left brain" with notably different capabilities, each capable of acting somewhat on their own. The "right brain" is good at seeing the "big picture" and sends its judgments to the left brain, where they are perceived as speech - sometimes the speech of the Gods. As things get historically more complicated, we evolve our present day "inner chatter", no longer attributed to the Gods (if we are sane), but now called "reason". Jaynes regards this as the emergence of consciousness itself, which is not what I want to take up in this post. What I like about Jaynes is that he sees language in a dynamic light, evolving and building up over time toward some critical point where the modern mind (along with "civilization") emerges.

There is no particular reason to locate these two faculties at some location in the brain and this is perhaps Jaynes main mistake - built in to his terminology. But we can understand his arguments very well without referring back to his neurological ideas. In fact, he rarely does so himself. You could go through his book and translate "Left Brain" as "Kidney" and "Right Brain" as "big toe" without impacting the meaning of what he's saying.

What we regard as "truth", at least in the Western traditions, is a linguistic concept. The "most" true statements are those of mathematics, which can be "proven". As Wittgenstein famously pointed out, such proofs are basically moves in a language game, where everyone agrees to the rules and agrees about what is "proven" in dialogue. As Hofstadter points out in Surfaces and Essences, the concept of language can be broadened to include the "models" of Physics - the underlying idea is metaphor and analogy.

Jaynes, Hofstadter and others point out that language is a huge labyrinth of metaphor. We "bootstrap" our store of metaphors as children (Jaynes is particularly good at describing how this bootstrap process works) and we proceed to produce the vast store in our heads - tens of thousands of words. It is in this language that our "inner voice" speaks. If our inner voice proclaims something to be true, it does so according to the impenetrable rules of the language that has been programmed into our brains. In the vast majority of cases, the beleivability of that inner voice comes from uncounted assumptions and analogies buried in the language it speaks. For example, if my inner voice calls someone a "nigger" in my head, that one word carries centuries if history and thousands of voices. It will make no sense to me to say to the inner voice: No, that person is not a "nigger". In fact, given the language that is being spoken, such a question makes no sense.

If you think that "1" is a solution to "x squared minus one equals zero", you speak the language of mathematics. If it seems sensible to say "I think, therefore I am", you have learned to talk like Descartes. Like him, you will regard that statement as self-evidently true. Those who fail to see the statement as self-evident are used to speaking a different language in a whole different culture which, for example, may regard the "self" as an illusion. Such a statement would make no sense to Descartes. It's not a matter of "truth" outside of the rules of the "language game". Descartes spoke the language of the religion of his time, which regarded the soul as the "self" -- the "self evident" starting point for any discussion of what is "real".

Is there any other way we can reach the "truth"? Jaynes says there is: that "right brain" which sees the truth but speaks it to the "left brain". It's better to characterize this source of perception as some kind of holistic or aesthetic sense that goes beyond language and perhaps precedes language historically. It is an open question whether this "right brain" (or big toe) processing works according to analogy. I think it's better to say it works by hard wired recognition of symmetry, but that is another topic.

For example, this "right brain" truth pops up when we say a certain combination of notes "sounds right" or a scene is breathtakingly beautiful. It certainly shouts loudly at us when we judge another human being to be beautiful, honest or friendly.

This simple observation leads me to some wide-ranging conclusions.
  • By definition, we cannot expect language to reach into non-linguistic "truth". Western philosophy, including that of Dennett, even when purged of "wild junk", has nothing to say about "truth" revealed by our innate mental capacity to judge certain experiences as special and valuable.
  • Zen, emphasizes direct aesthetic perception and takes pains to isolate and ignore the "inner voice". There is no reason to prefer one path over the other. In fact, I'm perfectly happy to leave the whole idea of "truth" to the language experts and seek for other words that reflect the judgement of my "right brain". This consideration is a much needed justification for being open to Zen.
  • Our "right brains" have a shared language, a culture and a history of their own, referred to as "art". I would also contend that they have a built-in "language" of their own - perhaps reaching back far into the past, perhaps part of the very definition of life itself. Even when the "art" in question is expressed in language (the novel for example), quality judgement are made by standards that are difficult to express in the language of logic, although critics struggle endlessly to do so.
  • We need to distinguish between what is "real" and what is "true". Truth is the umpire's call in the language game. Reality is what remains after all alternatives are ruled out.
There is another road to "truth", described in our language as "Science". Advances in Scientific knowledge are made chiefly through language - vigorously expanding our vocabulary. There are maybe 180,000 words in the English language (give or take). Scientific journals add a few more with every published article. Moreover, Science is constantly adding new models of reality. The first of these was "Euclidean Space". More recently, Feynman Diagrams have added to our ability to "picture" and discuss quantum reactions. Many things are easily "said" with pictures but almost impossible to "say" with words. However, these pictures ("maps") obey the same principles as language as discussed by Hofstadter and Jaynes. All lovers of maps and models will agree that there is a strong element of aesthetic beauty in a good map. 

There is also a strong aesthetic motive in Science as a whole, most eloquently described in "The Beautiful Question" by Frank Wilczek. Wilczek makes a strong case that the universe really is governed by symmetric principles, which also appeal strongly to our sense of what "looks right" (this is a right-brain kind of "looking right"). In other words, our taste for symmetry is a reliable guide to what is real.

So, in Science all three roads to the truth come together. 




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